Last December, Chanway unleashed his self-titled solo debut album which was described as a ‘sonic masterpiece that merges the old and new school’. Razor sharp riffs meld with soaring solos; progression with power. Inspired by the likes of George Lynch and Jeff Loomis, Chanway (who has a diploma in guitar performance from the University of West London) is a self-styled guitar hero for the 21st century.
Describing his sound as “melodic, relentless, energetic progressive metal” and influenced by the likes of Nevermore, Circus Maximus, Tony Macalpine, Aghora and Revocation, Chanway explains that “initially this music was written for a progressive metal project called Chancellor in 2011. After leaving that band, I gradually morphed the tracks into instrumental tunes.”
Chanway states that his writing process is always honest and organic:
“I write all of the guitar parts, generally starting from one theme or motif and just continually building upon it, to create a flowing cohesive piece. Never forcing or rushing anything for the sake of releasing new music. The guitar themes are authentic; the riffs are catchy and addictive.”
Chanway also states that this is also not merely a studio project, and he is looking forward to playing his album live. He promises
“…a very authentic recreation of some very challenging music; of course instrumental music is always a different ballgame in a live context. People tend to hone in on the guitar a lot more, and the unique voice it can bring as the band leader!”
As well as his own solo album, his band Assimilation will unleash their eagerly-awaited debut album The Laws of Power on March 17th, 2017, Chanway’s new album could be the perfect presursor. Not content to rest on his laurels, Chanway is also planning a further instrumental album for 2018.
Teaming up with progresseive music ‘zine Prog-Sphere.com, Chanway demonstrates his shredding skills with his new playthrough for his track 271114: