Category Archives: Television

Spoilers! The Doctor Falls.

The Doctor Falls, Image via

The clue is in the title, please do not read this if you have not seen all of Doctor Who series 10, you will regret it!

Still with me? OK, let’s do this.

First and foremost… WOW.  Emotional overload. I cannot, at this stage, wait until Christmas, however in the absence of actual time travel, here are my top ten reasons why I LOVED this episode.

Proper Sci-Fi

A space ship locked in a battle with the gravitational pull of a black hole? Time going slower at one end than the other? Every floor a different world, in essence? A whole city turned into a cyber-factory? This is a far cry from robots with emojis for faces, which, to be honest, was a fairly weak start to the series (although compost bins full of bones sort of made up for this). There is a real feel that Doctor Who is growing up and taking on more diverse themes, without trying to dumb it down for those that only like their sci-fi-lite.

One of my favourite scenes is the idyllic farmstead, green grass and blue sky, and the kindly looking matriarch bustling about with the children. Suddenly she has a rifle, with a blue laser sight, and the scarecrows are attacking. This is the key to good sci-fi: taking the mundane, and making it surreal and even scary.

Bill Dies

OK, this makes me sound like a ‘Bill Hater’ but I’m not, I’m truly not. I actually think she’s one of the most well rounded, believable companions for some time. Probably my favourite since Donna.

It’s not that I’m glad she got a big hole in her chest, and is now living out some crazy fluid-based astro-life (although, to be fair, that looks and sounds pretty cool); it’s the fact that Doctor Who is showing it’s not afraid to do horrible things to the main characters, even ones we’ve come to really identify with. Even if she does have a happy ending, of a sort, she’s still lost her entire human life, and she was upgraded for jelly babies’ sake! Ew.

Oh, and there have been complaints that ‘Moffat can’t kill anyone properly’. Stick it. She was shot, bodged back together, had to wait over ten years for her best friend to find her, upgraded, lived to see everyone terrified of her then watched said best friend die in apocalyptic cyber-horror-show. That’s enough, I think.

My one complaint is that she seemed to get over The Doctor dying really, very quickly… I would have expected a bit more ‘bitter’ in the bitter-sweet ending she got, simply because of his apparent demise.

Jelly Babies

Jelly babies? Yes, I just wanted to say ‘Jelly Babies’ several times in quick succession. If you do it right, Tom Baker appears and gives you a scarf (fake news). I loved all the little references to other incarnations of The Doctor in this episode, and offering the kids jelly babies is just such a lovely touch. Also, clever foreshadowing of the end scene where we meet…

…The First Doctor…

…The original, you might say!

David Bradley was excellent as William Hartnell in An Adventure in Space and Time, so to bring him back as the actual Doctor, The Doctor, is a stroke of genius. The two Doctors meeting at the end of the episode; Bill gone, the latest incarnation desperate to not regenerate; all in all, things not going sparklingly well… What a way to leave Whovians jumping up and down in their seats and frothing at the mouth.

I can’t wait to see the chemistry between these two distinguished actors, and to see how the story pans out.

As an aside, Bill and Heather were so named for Bill (William) Hartnell, and his wife, Heather. What a lovely tribute.

Nardole the Naughty Boy

We get a little glimpse of Nardole’s origins, with this brief argument against being sent to look after the escaping children:

“You know what I was like. If there’s more than three people in a room, I start a black market. Send me with them, I’ll be selling their own spaceship back to them once a week.”

Knowing he has a shady past kind of makes more sense of why he was involved with River Song, who was rarely on the right side of the law. We may never get any more than this teaser about his past, especially with the show changing hands after Christmas, but it was a clever way to give his character a bit more depth.

I Don’t Want to Go

As the Doctor nears the end of his life, he bounces from incarnation to incarnation, remembering his companions (more on that below) and monumental moments from all his previous lives. One heart-wrenching moment is him reiterating his ‘tenth’ reincarnation mournfully proclaiming I don’t want to go. We also hear him remembering When the doctor was me (originally ‘I will always remember when The Doctor was me’, said by ‘eleven’) and, in another Tom Baker throwback:

“Sontarans! Perverting the course of human history!”

Remembering Clara

Remember the end of series 9? Well it’s only us mere humans that can remember the key point, which is that Clara was completely wiped from The Doctor’s memory. But during the Logopolis style montage of The Doctor’s companions toward the end of The Doctor Falls, he clearly recalls Clara standing on a snowy rooftop, saying his name (Last Christmas). So is this a sign that nearly dying may have kick-started his hidden memories? Only time (and Chris Chibnall) will tell…


Is she good? Is she bad? Is she completely off her rocker? Yes! I’ve loved, loved Michelle Gomez’s interpretation of The Doctor’s arch enemy, and was worried that her move towards a supportive rather than adversarial character may weaken her appeal. I was wrong to worry, as right up until the end she is as dark and divisive as ever, even as she takes down the earlier incarnation of…

…The Master

John Simm is a rather good actor, isn’t he? And I think he loves this role, and jumped at the chance to play it again. This Master is the King of Cruelty, revelling in the pain and suffering of others, even down to the tiniest, hurtful comment if he can get away with it. He destroys Missy completely (so we are led to believe, but how many times has the Master died ‘permanently’ before?) despite in the previous episode proclaiming he would never be so ‘self-destructive’. Praising her like a student who has surpassed him in every way, for stealthily stabbing him in the back; wonderful stuff. The madness of The Master is brought to shuddering, monstrous life by these two great actors, as they laugh maniacally as they both die by the other’s hand. A truly apt end, although I hope it isn’t really the end for The Master. There’s always a way back, right?

Refusing to Regenerate

The Doctor has had enough! He’s stamping his foot and putting it down and sticking his chin out and saying No! He will not regenerate! You really get the sense here of how old he is, just how much he’s seen and how much loss and regret he carries with him every single day. And when you’ve lived for millennia, the days really do add up. He’s had to fight the cybermen, again, with no way of knowing if the children that escaped will actually survive, he’s lost another companion, his oldest frenemy abandoned him at the end and is now dead; I mean really, what’s the point?

I loved the visual of shoving his glowing fists into the snow to douse the fire of the regeneration energy. His determination to end seems unwavering, and makes me wonder what will The First Doctor show him in the Christmas Special, that will change his mind?

Sadly, that’s another five and a bit months off, so I’m popping off now to work on my proto-type TARDIS. Has anyone seen my dematerialisation circuit?

Image via




BBC Reveals Details about Class

That the opening pair of episodes of the new Doctor Who spin-off, Class, will be released onto BBC Three on 22nd October.

Peter Capaldi will join the cast of exciting new talent in the opening episode of the series, For Tonight We Might Die.  Coal Hill School holds some very dark and deadly secrets in its shadows….but who will survive?  Commenting on his involvement with the new Doctor Who spin-off series, Peter Capaldi, said:

“The Doctor Who family is growing, and it’s fantastic to be able to welcome the young new cast of Class in to the Whoniverse.”

It’s a new term at Coal Hill Academy, and students are preparing for their Autumn Prom.  But when the school comes under attack, four alienated students must form an unlikely alliance to defeat them.

This incursion is only the beginning…

Charlie (played by Greg Austin), April (Sophie Hopkins), Ram (Fady Elsayed) and Tanya (Vivian Oparah), assisted by their Physics teacher Miss Quill (Katherine Kelly), are charged with a great responsibility by the Doctor (Peter Capaldi): guard against the creatures of nightmare that want nothing more than to find a way through to Earth and take it for their own.

Patrick Ness has created intriguing and complex characters that have to navigate their way through more than just teenage hormones, exams and detention. Joining them as series regulars are: Jordan Renzo (Chosen, Troubled), Pooky Quesnel (Doctor Who: A Christmas Carol) Nigel Betts (Doctor Who: The Caretaker). The first two episodes also feature Ben Peel (The Fall), Anna Shaffer (Harry Potter), Paul Marc Davies (Doctor Who: Utopia), and Shannon Murray (The Totally Senseless Gameshow).

YA writer and Class creator Patrick Ness, says:

“At last, we can tell you a little more about Class! Though there are still many, many secrets to come. Many. Like, a lot. But of COURSE, the Doctor is in episode one! That’s how these things are done. Truly, though, I can’t wait for everyone to see the show; we’ve worked so hard and I’m so proud of it. Soon, soon…”

Power Of The Daleks to be animated

According to a report in the Mirror on the 29th August, BBC Worldwide have commissioned an animation company to produce new visuals for the lost serial, Power Of The Daleks.

Power Of The Daleks was Patrick Troughton‘s debut story as The Doctor, following on from the first ever regeneration sequence at the end of The Tenth Planet.  This makes this particular story an important part of British TV history.

As for Doctor Who fans, the importance of Power Of The Daleks can’t really be understated.  It is lauded as one of the greatest Doctor Who stories ever.  Considering the only way that assertion could be tested was by reading the novelisation or listening to the CD version, the story’s position was thought to be unassailable, barring the lost episodes all turning up.

The story in The Mirror suggests that Power Of The Daleks will soon be following two other Troughton-era stories, The Ice Warriors and The Invasion and Hartnell-era stories like The Tenth Planet into animation.  Of course this one will be somewhat different, as all six of the episodes of this serial are missing, compared to one or two parts of the other stories.  That means the animation studio will have to work from production stills and cine film at best to reconstruct them, making their job more challenging than the ones that came before.

This news is obviously not just important as far as Doctor Who is concerned.  It could be seen as an important step in bringing back all of the programmes the BBC wiped from their library in the 1970s, before home video made it more financially attractive to keep the archived footage.

Fingers crossed it turns out better than Reign Of Terror.

More news on this one as we get it.

More Star Trek: Discovery details released

Bryan Fuller, the showrunner behind the new Star Trek TV series revealed a huge chunk of fresh information about it at the Television Critics Association’s press tour in Beverly Hills.  Included in that information was that the upcoming series will focus on a female lead character.  Whoever she turns out to be, she won’t be the captain but rather be a lieutenant commander, “with caveats,” said Fuller. “We’ve seen six series from the captain’s point of view; to see a character from a different perspective on the starship — one who has a different dynamic relationships with a captain, with subordinates, it gave us richer context.”

In keeping with Gene Roddenberry’s original vision for Star Trek, the crew will be highly diverse.  On the casting process, Fuller said: “Star Trek started with a wonderful expression of diversity in its cast … our lead of the show is going to be subject of that same level of who’s the best actor and also what can we say about diversity on the show.  We haven’t cast her yet, so we don’t know what level of diversity she will be, but that’s forefront in our minds.  We’ll probably have a few more aliens than you typically have on the show.  We wanted to paint a picture of Starfleet where we’re going to have new exciting aliens and also new imagining of existing aliens.”

Fuller noted some of the changes might upset the “Trekker” element, used to seeing things a certain way.  “We’re producing the show in 2016. We have to update the style of the effects, the style of the sets, the style of the makeup.

On the premise, Fuller stated, “There’s an incident and an event in Star Trek history that’s been talked about but never been explored. To do this series, we’re telling a much more serialized story, to dig deep into a very tantalizing storyline. And we have a character who’s on a journey, and in order to understand something that is alien, she first has to understand herself.

The event is something that was referenced in The Original Series, but Fuller wouldn’t be drawn on what it was.  He ruled out the Romulan War (although he did say, “close”, in response to that one), Section 31 (but that could play a role) and Kirk wrestling with the Kobayashi Maru test. He did offer that this event was something that had only been referenced, never seen.

News that has raised equal measures of ire (about the timeline) and elation (about the setting) Star Trek: Discovery will be set in the “Prime Universe” (so in the timeline of the original shows, not the J.J. Abrams reboot films’ Kelvin timeline), about a decade before Captain Kirk’s five-year mission. “We can redefine the visual style,” he said. “We get to play with all of the iconography of those ships and that universe. Since we are doing this series in 2016, and all of the other series have been produced [at a time that] isn’t as sophisticated as we are now with what we can do production-wise, we’re going to be reestablishing an entire look for the series — not only for the series, but for what we wanted to accomplish with Star Trek beyond this series.”

Although the series will (quite rightly, in order to fully establish the crew of the USS Discovery) steer clear of introducing Original Series characters until at least season 2, Fuller did say he was interested in the possibility of using Amanda Grayson (who, of course, went on to marry a certain Ambassador Sarek and become the mother of Spock) and fleshing her out somewhat.

Since the new series will be broadcast first on CBS’s new on-demand service, followed a day later on Netflix outside the US, the production team are getting much more leeway in terms of content.  “Well there’s a reason we call it S.T.D.,” Fuller joked. “We’re going to have a broader spectrum to explore those issues, but it’s still Star Trek. It will probably be slightly more graphic in content.  We discuss language every day.  Is it appropriate for somebody to see a bridge blow up and say ‘Oh shit’?  I imagine we’re going to shoot scenes a couple of ways and see what feels more authentic in the editing room.”

The Discovery herself will follow the basic Federation Starship design, in that she will have a saucer section and warp nacelles, but the design they leaked early on has “changed considerably. But it’s still very much inspired by those [Ralph McQuarrie] illustrations.

Obviously we’ll find out what this all means in January when the show starts it’s run.

First teaser trailer for Star Trek: Discovery revealed

You’ve just watched the teaser trailer for the new Star Trek series, which will be shown by Netflix here in the UK, a day after it is released in the US on a CBS on demand channel, as revealed at Comic-Con in San Diego.

The series, being run by Brian Fuller, who also revealed the show will be set in the “Prime” universe, rather than the films, which are set in the “Kelvin” universe.  What hasn’t been revealed is when in the Star Trek timeline it is set.

The design of the ship is based on an unused sketch for Star Trek: Phase II by Ralph McQuarrie (most famous for his Star Wars ship designs), which possibly suggests it is set after TOS, but before Star Trek: The (Slow) Motion Picture and its sequels.  But that’s just me guessing.  What I find most interesting are the obvious Klingon design echoes and the very Klingon-esque music.